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    Why SLUMDOG MILLIONAIRE Will Win the Oscar

    January 29th, 2009

     

    3024874376_5c0ed1ae3aI haven’t see the movie yet, but I’m confident that it will win Best Picture.  Why?  Because the story of the making of SLUMDOG MILLIONAIRE is the best story of all of nominated films.

    The  filmmakers cast the film with no name actors literally plucked from the slums of Mumbai, they had to figure out how to shoot the movie in one of the worst places on earth, they fought to build an audience for the movie, and they have gotten the young actors into school and established funds for them out of their own pockets once the youths complete their studies.

    It’s the four archetypes in classic sequence: Orphan.  Wanderer.  Warrior.  Martyr.

    And the Academy knows a good story when it sees one.


    WALL-E

    January 29th, 2009

    wall-e

    Overall Impression – Why I wasn’t more impressed with this when I first saw it, I don’t know.  But now, having seen it again on Blu-ray…WOW!

    THE FOUR QUESTIONS

    Who is your main character? – WALL-E

    What is he trying to accomplish? – Professional: Clean up earth so that people can repopulate it. Personal: Rescue EVE. Private: Get  EVE to love him.

    Who’s trying to stop him? – AUTO, the auto-pilot on the space cruiser.

    What happens if he fails? – Earth doesn’t get repopulated, Eve is destroyed, the humans lead useless lives, and he never finds love.

    THE FOUR ARCHETYPES

    Orphan – WALL-E is all alone on earth, 700 years after everyone has left.  It appears that the only creature left beside him is a single cockroach.

    Wanderer – After EVE arrives, WALL-E tries to figure out how to win her trust.  They bond, but almost immediately she goes into sleep mode after she discovers the single plant WALL-E has found.  He tries to wake her up, stays by her side, and eventually tags along with the space probe that recovers her.

    Warrior – WALL-E now fights to stay with EVE and wake her up.  When she reboots after the plant is recovered from her storage compartment, WALL-E and EVE fight to keep each other safe and to thwart the plans of AUTO who seems intent on keeping the ship from returning home.

    Martyr – WALL-E literally destroys himself trying to keep a chamber open that will accept the plant and start the journey back to earth.  And this is only one of the martyr moments.  Eve is willing to give up her directive to save WALL-E, the ship’s Captain gives up his life of being pampered like a baby to do the right thing, even the secondary robot character sacrifice in order to get the ship back to Earth.

    AND, IN THE END…

    I remember sitting in the theater watching TOY STORY when it came out and hoping that it would never end.  It was, and still is, the perfect story.  Expectations on subsequent Pixar movies thus ran very high.  Sometimes they were met (FINDING NEMO, THE INCREDIBLES) and sometimes they weren’t (CARS, BUG’S LIFE).  But even when I was disappointed, it was only relative to how high Mr. Lasseter and crew set the bar.

    WALL-E was heralded as some amazing, transcendent movie.  Something for adults much more than for kids.  I remember seeing it with my kids who were mildly bored throughout large parts of the movie.  Between their fidgeting and my high expectations, poor WALL-E never stood a chance.  And then I saw it again a few days ago.

    It’s a brilliant movie on a number of levels, but the one to focus on is the opposition to WALL-E’s goals.   If his goal is to get EVE to love him, the lesser way to challenge him would be for there to be another robot, all shiny and glittery, trying to woo her.  There isn’t.

    If his goal is to get the people back to earth, the lesser way would be for there to be some mission or directive that needs the people OFF of earth, such as the creating the conceit that the robots running the ship need the humans to generate energy to power themselves as in THE MATRIX.  There isn’t.

    There are no stock villains or stock villainy.  The opposition to WALL-E’s desire line isnot only reasonable but intense.  An important principle is that the antagonist is the hero of his or her own story.  In WALL-E there are no bad guys, only various beings — human and robot — doing what they believe they need to do, all anchored by one little robot named WALL-E doing what he needs to do.  Love someone and be loved in return.

    – Jeffrey Alan Schechter


    Contour for Windows Beta Program Announced

    January 29th, 2009

    Interested in being a beta tester for Contour for Windows?  Then CLICK HERE to start feeling the Contour for Windows love!


    SNEAK PEEK: Contour for Windows

    January 28th, 2009

    contour_win

    The Fully Awesome Carpetshark over at Mariner Software just sent me this screenshot of the soon to be beta-ready version of CONTOUR FOR WINDOWS.  And it’s skinnable so you can change the look.  

    I’m getting excited…


    Almost There!

    January 28th, 2009

    tws3The downloadable version of Contour is now the second most popular item being sold by our friends at The Writers Store in Los Angeles.  

    Once Mariner Software gets the Windows version out the door, FD is gonna be pwned!


    The Contour Guide, Step # 9

    January 28th, 2009

    sextant-smallINSIDE THE WHALE  (pages 65-75)

    In classic mythological storytelling, this is the “belly of the beast” or the “inside the darkest cave” moment for the main character. Often the scene takes place in a confined space, representing that the forces at play against the protagonist are closing in…tightening…and the protagonist must dig “deep” and face his or her darkest fear.

    • Indiana Jones is abandoned inside the Well of Souls, surrounded by snakes. (RAIDERS OF THE LOST ARK)
    • Luke goes into the cave and faces what he thinks is Darth Vader, but is actually a representation of the dark side of the force that is within him. (THE EMPIRE STRIKES BACK)
    • Sam and gang are deep within Hoover Dam as Megatron is unfrozen. (TRANSFORMERS)
    • Kevin is forced to go into the basement and confront the very scary boiler. (HOME ALONE) 

    Want to read all 12 steps to the Contour Guide?  CLICK HERE


    PAUL BLART: MALL COP

    January 26th, 2009

    paul_blart

    Overall Impression – A big hit with small laughs.

    THE FOUR QUESTIONS

    Who is your main character? – Paul Blart.

    What is he trying to accomplish? – Professional: Protect the mall. Personal: Get Amy to love him. Private: Not be the loser he’s always been all his life.

    Who’s trying to stop him? – Veck Sims, the leader of the crooks trying to rob the mall.

    What happens if he fails? – Veck escapes with both Amy and Paul’s daughter. 

    THE FOUR ARCHETYPES

    Orphan – Paul has been abandoned by his wife, has failed the test 8 times to be a state trooper, is overweight and lonely.

    Wanderer – After a setup that goes on waaaaaaaay too long, the mall is taken over by crooks.  At first, Paul tries to figure out what’s going on.  After running into one of the robbers and escaping, Paul realizes that the mall is under siege.  He wants to escape, and makes it out of the mall only to realize that Amy’s car is still in the parking lot.  He turns around and goes back in.

    Warrior – Paul hapless encounters several robbers around the mall, knocking them out.  He makes it to where the hostages are being held captive and tries to get them out, unsuccessfully.

    Martyr – Veck escapes and Blart pursues.  He eventually stops him and saves the day, winning Amy’s love.  Blart is offered a spot as a state trooper and he declines, instead opting to stay on at the mall.

    AND, IN THE END…

    There’s nothing terribly wrong about PAUL BLART: MALL COP, and I found it interesting for what it sort of understood about the conventions of the “DIE HARD in an office building/aircraft carrier/airport/jumbo jet” genre.  The movie borrows so heavily from DIE HARD that it’s obviously meant to be as much homage as rip-off.

    When you see this movie — IF you see this movie  – ignore the goofiness of the bad guys (skateboards and BMX bikes?!?!?!?) and learn from all of the things that the film does almost right; there were too many third act solutions, the obstacles in act two don’t really become increasingly difficult, the martyr moment doesn’t lead to the main character’s success, and the main character gives up his life-long dream for no real reason.  These were all things that could have been easily fixed in the scripting…but hindsight is 20-20.  Assuming you know what to look for.

    – Jeffrey Alan Schechter


    NINE MONTHS

    January 25th, 2009

    nine_months2 

    Overall Impression – In my eyes, a beautiful movie that gets me every time I watch it. Especially those two scenes in which Samuel watches the ultra sound tape and when he asks Rebecca to marry him in the hospital. Or is it the music that does it?

    THE FOUR QUESTIONS

    Who’s your main character? — Samuel

    What’s he trying to accomplish? – Professional: Figure out how to be both good in a relationship and a good (potential) father.  Personal: Samuel doesn’t want to change his stable life and doesn’t want to get married and have children.  Private: Not be someone his child will hate when he or she grows up.

    Who’s trying to stop him? – Rebecca

    What happens if he fails? — Samuel will stuck in an unstable, child-like likfe and lose the one woman who really loves him…as well as his unborn child..

    THE FOUR ARCHETYPES

    Orphan –  Samuel is in a five-year relationship with Rebecca. She lets him know that she would like to get married and have children. He, however, says that he prefers having a stable life. They have everything they want: a good job, a good house and a nice sport car, why risk that? Samuel shows here that he is an emotional orphan.

    Wanderer — Rebecca tells Samuel that she is pregnant. He is shocked. It becomes clear that they have to make changes in their life.  He he has to sell the sports car, something he doesn’t want to do.  Also, his cat will have to go, something else he doesn’t want to do.  Samuel tries to learn the rules of how to leave his old life behind.  When Samule forgets an ultrasound appointment, Rebecca leaves him. 

     Warrior –  Samuel watches the video recording of the ultrasound of the baby and finally gets it: he is in love with the baby and feels ready to be fully committed to change. Samuel tries to convince Rebecca that he is ready to be a father. She doesn’t want to believe him. He asks his friend to arrange a meeting with her in the park but then hears that Rebecca had to go to the hospital.

    Martyr — In the hospital, Samuel tells her that he is sorry for his behavior and that he is a changed man. He tells her that he sold his sport car for a family car. He even says. “I don’t care about myself anymore, I only care about the baby.”

    AND, IN THE END…

    This is a movie about change. What Samuel really wants in the beginning of the movie is his current life. What he wants at the end of the movie is to be a father and having a family. He gets what he really needed and not what he wanted: he gives up his playful youthful life and becomes an adult.

    This fits very well into the idea of “what is your main character WRONG about at the start of the movie.”  The rest of the movie sets about answering this question.  In NINE MONTHS, Samuel is wrong about thinking that he can be a child forever.  Sooner or later, everyone has to grow up.

    –  André van Haren


    The Contour Guide, Step # 8

    January 25th, 2009

    sextant-small…MAKE LEMONADE (page 55-65)

    Have your protagonist get into direct confrontation in a big way.

    • Tony Stark uses his suit to defend a village. (IRON MAN)
    • Luke starts gets Leia out of the the detention block and brings down the wrath of the Stormtroopers. (STAR WARS)
    • Brody’s own son is almost attacked by the shark and he compells the Mayor to hire Quint. (JAWS) 

    • Lester argues with Carolyn about their sex life. (AMERICAN BEAUTY)
    • Luke and company are pulled into the Deathstar and discover that the Leia is being held onboard. (STAR WARS)

    Want to read all 12 steps to the Contour Guide? CLICK HERE


    The Contour Guide, Step # 7

    January 23rd, 2009

    sextant-smallWHEN LIFE GIVES YOU LEMONS…  (pages 45-55)

    Just when your protagonist thought he or she was making progress, you pull the rug out from under! Force your protagonist to stop wandering and start fighting.

    • Batman realizes that trying to fight the Joker by the Joker’s rules isn’t going to work. (THE DARK KNIGHT)
    • Lester argues with Carolyn about their sex life. (AMERICAN BEAUTY)
    • Luke and company are pulled into the Deathstar and discover that the Leia is being held onboard. (STAR WARS)

    Want to read all 12 steps to the Contour Guide? CLICK HERE